Drei Farben: Blau, Weiß, Rot
Three colours: Blue. Three colours: White. Three colours: Red.
Inspired by the film trilogy with the same name by the Polish director Krzysztof Kieślowski, the three exhibition spaces of the gallery are each dedicated to one of these colors.
With Johannes Albers, Olivia Berckemeyer, John Bock, Dadamaino, Edith Dekyndt, Ulrich Erben, Shannon Finley, Andi Fischer, Tim Freiwald, Sabrina Fritsch, Rupprecht Geiger, Raimund Girke, Gotthard Graubner, Nathan Randall Green, Terry Haggerty, Theresa Hecker, Gregor Hildebrandt, Benita von Hornstein, Caro Jost, KAYA (Kerstin Brätsch & Debo Eilers), Shila Khatami, Peter Kogler, Stanislav Kolibal, Thomas Kratz, Jürgen Krause, Peter Krauskopf, Alicja Kwade, Julia Mangold, Agnes Martin, Gerold Miller, Anselm Reyle, Michael Riedel, Gerd Rohling, Cordy Ryman, Robert Ryman, Laura Sachs, Michael Sailstorfer, Karin Sander, Jan Scharrelmann, Thomas Scheibitz, Jan Schmidt, Erik Schmidt, Sean Scully, Turi Simeti, Chris Succo, Günther Uecker, Thomas Zipp, Thomas Zitzwitz , et al.
Curated by Gregor Hildebrandt and Caro Jost
Photo © Studio Karin Sander
Collection1: Faraway Places / Nearby Places
More than two years have passed since the new coronavirus pandemic transformed our lives. Not infrequently we feel as though our sphere of activities, but also our very lives, feelings, and perspectives had shrunk considerably. The exhibition at the Nationalmuseum of Art, Osaka consists of works that broaden our narrowed vision.
With Nobuaki Takekawa, Mirosław Balka, Ilya Kabakov, Christian Boltanski, Boris Mikahilov, Józef Szajna, Ágnes Szépfalvi / Csaba Nemes, Ryuichi Ishikawa, Chikako Yamashiro, Futoshi Miyagi, Emily Kame Kngwarreye, Yoko Matsumoto, Natsuko Sakamoto, Isamu Ngochui, Noe Aoki, Shigeo Toya, Yoshihisa Kitatsuji, Karin Sander, Mark Manders, Yoshihiro Suda, Alexander Calder, Joan Miró, Henry Moore, Jiro Takamatsu
Photo © Andrea Rossetti
Fragile! Alles aus Glas. Grenzfälle des Skulpturalen
Exhibition takeover from Kunsthalle Vogelmann, Heilbronn: Glass fascinates since its discovery. In the diversity of its characteristics, viscous and crystalline, fragile and resistant, it shows itself to be a material that is artistically immensely challenging. The exhibition sets itself the task of tracing the sculptural emancipation of the material glass from the turn of the century to the present in a multifaceted way.
With Hans Arp, Larry Bell, Christoph Brech, Erich Buchholz, Louisa Clement, Le Corbusier, Tony Cragg, Felix Droese, Marcel Duchamp, Max Ernst, Felicitas Fäßler, Hermann Finsterlin, Lucio Fontana, Gabriella Gerosa, Asta Gröting, Wenzel Hablik, Mona Hatoum, Bethan Huws, Marta Klonowska, Barry Le Va, Harvey K. Littleton, Adolf Luther, Christian Meger, Isa Melsheimer, Verena Pfisterer, Sebastian Richter, Karin Sander, Kai Schiemenz, Gerda Schlembach, Thomas Schütte, Robert Smithson, Bruno Taut, Timm Ulrichs, James White
Curated by Dr. Rita Täuber and Dr. Martina Padberg
Photo © Studio Karin Sander
Vergoldet. Doré
The exhibition investigates the use of gold as a (colour) material, its fusions and reinterpretations and looks with artistic positions at and behind the gilded surfaces and objects, which are no longer necessarily about the representation of eternity and wealth. Or is this magical relationship today merely deformed into other symbols and signs of recognition?
With Olivia Berckemeyer, Antje Blumenstein, Ruth Campau, Luka Fineisen, Niklas Goldbach, Eckart Hahn, David Krippendorff, Claudia Kugler, Alicja Kwade, Andréas Lang, Via Lewandowsky, Michael Müller, Sebastian Neeb, Andrea Pichl, Johanna Reich, Stéphanie Saadé, Michael Sailstorfer, Karin Sander, Henrik Strömberg, Philip Topolovac, Panos Tsagaris, Frauke Wilken, Andrea Winkler, Clemens Wolf, He Xiangyu
Curated by Harald F. Theiss
Photo © Studio Karin Sander
"What you see is not what you get" (22 exhibitions)
For the fourth solo exhibition with gallery Esther Schipper Karin Sander has gathered different works from her oeuvre and from these she has curated 22 exhibitions.
Karin Sander has carefully packed these particular, individual selections into transport crates and then closed them; the crates offer protection and sometimes contain instructions regarding the various, small- and large-format art works they hold. The exhibits are well kept in their transport crates, present in the gallery space but eluding visibility. Each transport box has its own size, bears its unique title, lists the materials used in the works, and contains what goes with the installation of the works and the respective exhibition
The tension between visibility and presence is also a motif of the new augmented reality exhibition conceived by Karin Sander. Visitors can use VR glasses to virtually visit other exhibitions in the gallery. This visible, albeit virtual, presentation forms a counterpoint to the 22 physically present exhibitions - it lets visitors see works that are not physically present, while the works in the shipping crates are present but not visible.
Image © Karin Sander, design: büro uebele
Strong Duo (Starkes Duo)
Berlin women art professors and their women master students
Haus Kunst Mitte, Berlin
Strong Duo presents eight internationally renowned women art professors together with their women master students. The result is a cross-generational and medially diverse dialogue between established and emerging women artists.
With Prof. Tina Bara, Nadja Bouronville, Larissa Lackner, Barbara Proschak, Sandra Schubert, Prof. Monica Bonvicini, Kim Bode, Tabea Marschall, Johanna Michel, Prof. Valérie Favre, Carola Ernst, Marlene Hundt, Stella Meris, Prof. Friederike Feldmann, Charlotte Dualé, Shira Orion, Prof. Karin Sander, Jana Debrodt, Sophia Pompéry, Prof. Jorinde Voigt, Sanja Henning, Paula Hoffmann, Anne Pfeifer, Prof. Corinne Wasmuht, Lea Gocht, Johanna Wagner, Franziska Wolff, Prof. Ina Weber, Teresa Mayr
Curated by Dr. Anna Havemann
Photo © Andrea Rossetti
pain/t/hing – ausser Haus
Haus am Lützwoplatz/Studiogalerie, Berlin
The exhibition pain/t/hing - ausser Haus shows seven positions that can be located in the fluid terrain between painting, sculpture, object and installation. In the artistic working process, a direct hand is laid on material and things, just as organic properties or physical conditions become authors of the works.
With works by Bram Braam, Manfred Holtfrerich, Hannah Rath, Karin Sander, Marten Schech, Elisabeth Sonneck, Stefanie von Schroeter
concept by Elisabeth Sonneck and Stefanie von Schroeter
Photo © Jochen Wermann
BAMA Busan
With works by:
Stefan Bertalan, Martin Boyce, Angela Bulloch, Etienne Chambaud, Simon Fujiwara, Ryan Gander, Andrew Grassie, Ann Veronica Janssens, Gabriel Kuri, Ugo Rondinone, Karin Sander
About BAMA Busan, South Korea
Photo © Studio Karin Sander
Collaborations I
Guardini Stiftung, Berlin
Photographer Oliver Mark invited 61 artists to work on his pictures. The exhibition at Guardini Stiftung shows the different results.
Architecture Biennale, Swiss Pavillon, 2023
Karin Sander/Philip Ursprung
"The Swiss Arts Council Pro Helvetia has nominated the project entitled «Neighbourhood» by Karin Sander and Philip Ursprung for the Swiss Pavilion of 18th International Architecture Biennale in Venice after an open competition with 48 submissions."
Pro Helvetia, Zürich
Blanc de Blancs
Villa Schöningen, Potsdam
The exhibition shows 54 works of art by 38 contemporary artists. As much as these works differ from one another, they all share one formal criterion: they engage with the colour white. With this achromatic colour that signifies not only reduction but complexity.
with Johannes Albers, Olivia Berckemeyer, Matthias Bitzer, John Bock, Björn Dahlem, Edith Dekyndt, Cecilia Edefalk, Amélie Esterházy, Bernard Frize, Axel Geis, Raimund Girke, Anna Grath, Theresa Hecker, Gregor Hildebrandt, Leiko Ikemura, Ann Veronica Janssens, Caro Jost, Manuel Kirsch, Jürgen Krause, Alicja Kwade, Inge Mahn, Isa Melsheimer, Olaf Metzel, Gerold Miller, Gabriel de la Mora, Irina Ojovan, Manfred Pernice, Anselm Reyle, Gerd Rohling, Robert Ryman, Michael Sailstorfer, Karin Sander, Erik Schmidt, Jan Schmidt, Chris Succo, Milen Till, Jorinde Voigt, Wiebke Maria Wachmann, Thomas Zipp
curated by Sonia González and Gregor Hildebrandt
© Villa Schöningen, the Artists, Photo: Sascha Hermann, 2022
Vom Zauber der Handbewegung
Eine Geschichte der Zeichnung im 20. & 21. Jahrhundert
Museum Pfalzgalerie, Kaiserslautern
The exhibition at Museum Pfalzgalerie presents the vitality of drawing today. Many contemporary artists have conquered drawing for themselves as an inexhaustible creative space, directing the magic of the drawing hand movement to fascinating line composition, sometimes strict and concrete, sometimes virtuosically moved. Drawing today has emancipated itself into a medium that questions itself, and that allows for events that not infrequently also seem to elude the controllability of the artists.
curated by Dr. Sören Fischer
Photo © Studio Karin Sander
THE MUSIC CHAMBER
A new space for sound and music-related works
artgèneve/musique
In 2022, artgenève/musique carries on its activities with the launching of a curated space dedicated to sound and music. As a new section of artgeneva, the Music Chamber will provide suitable settings and arrangements to explore the possibilites of musical and sound-based artworks. For this first editon, sound installations, ephemeral works, but also silent although music-related objects will be brought together within a “chamber musical” exhibition.
Participating artists:
Dirk Bell / Isabel Lewis
Tony Conrad
No Salad Records invites Sunna Margrét, Gina Proenza and Christian Schulz
Karin Sander
Sarah Schönfeld
Stefan Tcherepnin
artgenève/music is a platform within artgenève which is dedicated to sound, performance and ephemeral works made by artists. Since 2012, more than 30 new works have been realised in various projects in and outside Geneva.
curated by Augustin Maurs
ARCOmadrid
Solo booth at Helga de Alvear
ARCOmadrid 40 (+1), Booth 08
Booth of Esther Schipper
ARCOmadrid 2022, Booth 9B09
More information on ARCOmadrid
Photo © Joaquín Cortés
ThisPlay
This collection-based group exhibition revolves around the concepts of childhood and play. The exhibition aims to explore the liberating aspect of play, its defiant capacity to suspend and reconstruct reality, and the ways it transcends the humdrum of daily life to create unique systems and structures of meaning of its own, within the context of artworks, and the experiences they offer.
Approaching art both as a maker and breaker of play through concepts such as competition, tension, chance, imitation, ritual, magic, trance, and pleasure, the exhibition opens up space for play for both adults and children where there is no winner or everyone wins.
curated by Emre Baykal
Photo © Sena Nur Taştekne
Time 2 Time
Slewe Gallery, Amsterdam
05.02. – 19.03.2022
Duo show with Caro Jost and Karin Sander
Interview: Robert van Altena in conversation with Karin Sander
Installation view, photo: Peter Cox
Fragile! Alles aus Glas. Grenzbereiche des Skulpturalen
Kunsthalle Vogelmann, Heilbronn
Glass fascinates since its discovery. In the diversity of its characteristics, viscous and crystalline, fragile and resistant, it shows itself to be a material that is artistically immensely challenging. The exhibition sets itself the task of tracing the sculptural emancipation of the material glass from the turn of the century to the present in a multifaceted way.
With Mona Hatoum, Hans Scharoun, Karin Sander, Thomas Schütte, Kiki Smith, Isa Melsheimer, Marta Klonowska et. al.
curated by Rita Täuber
Photo © Martin Lauffer
Light & Space
Copenhagen Contemporary, Copenhagen, Denmark
This comprehensive exhibition is about the American light and space art that emerged in Los Angeles in the 1960s. This was a time when a number of young artists experimented with creating art from light and new materials. Nowadays they are known collectively as the Light and Space movement. The new departures and experiments introduced by those artists have inspired and shaped several contemporary artists and architects.
With Anish Kapoor, Ann Linn Palm Hansen, Ann Veronica Janssens, AVPD, Bruce Nauman, Connie Zehr, Craig Kauffman, De Wain Valentine, Doug Wheeler, Elyn Zimmerman, Eric Orr, Fred Eversley, Helen Pashgian, James Turrell, Jeppe Hein, John McCracken, Judy Chicago, Karin Sander, Laddie John Dill, Larry Bell, Lita Albuquerque, Mary Corse, Olafur Eliasson, Peter Alexander, Robert Irwin, Ron Cooper and Susan Kaiser Vogel
curated by Marie Nipper
Photo © Studio Karin Sander
Director's Cut – Einblicke in das Wachsen einer Sammlung
Museum Pfalzgalerie Kaiserslautern
As a farewell after almost 30 years as director of Museum Pfalzgalerie, Britta Buhlmann has taken a look back and made a selection of highlights from the rich fund of new acquisitions and donations of her tenure.
With François Morellet, Camill Leberer, Jochem Hendricks, Leiko Ikemura, Karin Sander, Axel Anklam et. al.
Photo (Detail) © Studio Karin Sander
Schnee fällt hinterm Berge / Snow falls behind the mountains
Avlskarl Gallery, Copenhagen
The exhibition gathers works, which are dominantly white.
With Johannes Albers, Olivia Berckemeyer, Matthias Bitzer, Lynda Benglis, John Bock, Björn Dahlem, Amélie Esterházy, Andi Fischer, Bernard Frize, Gabriel de la Mora, Axel Geis, Raimund Girke, Gregor Hildebrandt, Leiko Ikemura, Caro Jost, Manuel Kirsch, Jürgen Krause, Alicja Kwade, Florian Meisenberg, Isa Melsheimer, Olaf Metzel, Gerold Miller, Manfred Pernice, Gerd Rohling, Anselm Reyle, Robert Ryman, Michael Sailstorfer, Karin Sander, Erik Schmidt, Chris Succo, Milen Till, John Torreano, Jorinde Voigt, Thomas Zipp, Wiebke Maria Wachmann
curated by Gregor Hildebrandt
Photo © Avlskarl Gallery
Elle Rit (She's laughing!), Lab´Bel Anniversary
Palais de Tokyo, Paris, France
Elle Rit (She’s laughing!) brings together the work of Thomas Bayrle, Mel Bochner, Daniel Buren, Wim Delvoye, Hans-Peter Feldmann, Jonathan Monk, Karin Sander and Rosemarie Trockel—the first eight artists to have transformed a box of The Laughing Cow© cheese into a work of art. As well as showcasing all of these, along with some of their other creations, the exhibition puts into perspective the conceptual and contradictory dimensions of a project that questions our approach to art in everyday life.
curated by Silvia Guerra and Laurent Fiévet
Exhibition view: And There Is a Cow On It, Too, 1994 (with Hans-Peter Feldmann, 11 Horizons, 2015) © Studio Karin Sander
Interview
Live Radio Interview mit Silke Super at radioeins about NOTHINGTOSEENESS
Photo © Andrea Rossetti
Kunst küsst wach
PIN FOR ART, Munich
Benefit auction for the benefit of the Pinakothek der Moderne, the Museum Brandhorst and the consigning artists as well as the galleries.
Los 27
Karin Sander: Map Icon, 2020
Neon sign in the shape of the Google marking point, red
Kontemplation
Galerie Ute Parduhn, Düsseldorf
19 ways to look at art, focusing on the concentration of a single object.
With Silvia Bächli, Thomas Bayrle, Bernd.Joh. Blume, Eduardo Chillida, Ulrich Erben, Pia Fries, Ludger Gerdes, Stefan Höller, Udo Koch, Stefan Kürten, Stefan Löffelhardt, Stefan Marx, Bruce Nauman, Carol Rama, Reiner Ruthenbeck, Yuji Takeoka, Karin Sander, Gregor Schneider, Thomas Schütte
THE FLAG PROJECT
On the occasion of the exhibition
Signature Piece at Städtische Galerie Wolfsburg
with Art&Language, Luis Camnitzer, Marc Brandenburg, Lorraine O‘Grady, Tal R, Kay Rosen, Via Lewandowsky, Karin Sander
Each flag has been produced in an edition of 10, size 200 x 120 cm each, hand-signed and numbered on certificate, and can be purchased from René Schmitt, Berlin
initiated by René Schmitt
Photo: Städtische Galerie Wolfsburg © Janina Snatzke
Friendship. Nature. Culture
44 Jahre Daimler Art Collection,
Works of the Collection 1920–2021
Daimler Art Collection, Berlin
The anniversary exhibition ‘Friendship. Nature. Culture. 44 Years of the Daimler Art Collection’ looks back on the development of an internationally renowned corporate collection. From over 3,000 artworks in the collection, founded in 1977, about 100 works by ca. 70 artists have been selected. Relating, in a broad sense, to contemporary phenomena in the context of friendship, nature and culture, the artistic works from a period of 100 years form networks and explore the interplay between art and human coexistence.
With Josef Albers, John M Armleder, Willi Baumeister, Hicham Berrada, Lina Bo Bardi, André Cadere, Stéphane Dafflon, Mbali Dhlamini, Haris Epaminonda, Sylvie Fleury, Carola Grahn, Thea Gvetadze, Isabell Heimerdinger, Rita Hensen, Pieter Hugo, Manfred Kage, Imi Knoebel, Norbert Kricke, Richard Paul Lohse, Annu Palakunnathu Matthew, Otto Meyer-Amden, Pieter Laurens Moll, Sarah Morris, Rupert Norfolk, Verena Pfisterer, Anselm Reyle, Charles Rock, Pietro Sanguineti, Michael Sayles, Raphaela Simon, Pamela Singh, Elaine Sturtevant, Yuken Teruya, Anna Tretter, Georges Vantongerloo, Franz Erhard Walther, Dawn Williams Boyd, Georg Winter, et. al.
curated by Renate Wiehager
Photo © Studio Karin Sander
The point of sculpture
Fundació Joan Miró, Barcelona, Spain
Exhibition video
The Point of Sculpture offers an overview of the practice of modern and contemporary sculpture from an asynchronous, heterogeneous perspective that also includes older pieces and anonymous objects. The exhibition, arising from the ambition of twentieth-century sculpture to move beyond representing and generating images, also aims to show the major transformation of this discipline in the twenty-first century with the implementation of new techniques and the emergence of new imaginaries and sensibilities.
The exhibition illustrates how sculpture has held a tense dialogue with reality over the course of its history, capturing objects, bodies and narratives, and how it continues to have ties to the earliest expressions of the urge to sculpt. Accordingly, close to one hundred pieces selected by David Bestué are presented in seven spaces and address issues such as the copy and representation of reality, experimentation with materials, the exploration of the physical properties of sculpture, the relationship between the object and the subject, the relationship of sculpture with time, as well as the representation of the human figure and the expression of complex emotions such as sexual desire.
With Antoni Gaudí, Julio González, Alexander Calder, Joan Miró, Apel·les Fenosa, Lygia Clark, On Kawara, Karin Sander, Robert Smithson, Bruce Nauman, David Medalla, Eva Lootz, Susana Solano, Pipilotti Rist and Wolfgang Tillmans, et. al.
curated by David Bestué
© Fundació Joan Miró. Photo: Davide Camesasca
Schwarzes Licht.
Positionen des Erhabenen in der zeitgenössischen Kunst
Kunstmuseum Solothurn, Solothurn, Switzerland
With Julian Charrière, John Chiara, Fischli/Weiss, Michel Grillet, Sara Masüger, Victorine Müller, Karin Sander, Albrecht Schnider, Francisco Sierra, Hiroshi Sugimoto, Robert Zandvliet et. al.
curated by Robin Byland
Photo © Studio Karin Sander
Chambre Directe
Chambre Directe – Schubiger, St. Gallen, Switzerland
30.09. – 28.11.2021
The artist and curator Felix Boekamp invited Manfred Holtfrerich and Karin Sander to his newly founded art space, a former store for electrical goods in the city centre of St. Gallen. The exhibition addresses the interfaces of art, architecture and literature.
Photo Chambre Directe © Manfred Holtfrerich / © Karin Sander
NOTHINGTOSEENESS Void/White/Silence
Akademie der Künste, Hanseatenweg, Berlin
16.09. – 12.12.2021
The broad spectrum of meaning of the colour white, of void and silence in the visual arts, and the associated difference between materiality and immateriality. The exhibition explores artistic/aesthetic practices from the 1950s/60s until the present day that have brought about critical and process-based artistic positioning at international level in selected circles.
An exhibition by the Akademie der Künste in the context of the BERLIN ART WEEK with Absalon, Peter Ablinger, Frank Badur, Mirosław Bałka, Rosa Barba, Jo Baer, George Brecht, Günter Brus, John Cage, Enrico Castellani, Rutherford Chang, Max Dax, Ulrike Draesner, Maria Eichhorn, Olafur Eliasson, Ulrich Erben, Ceal Floyer, Lucio Fontana, Sam Francis, Katharina Fritsch, Heinz Gappmayr, Jochen Gerz, Raimund Girke, Eugen Gomringer, Gotthard Graubner, Katharina Grosse, Hans Haacke, Marcia Hafif, David Hammons, Oskar Holweck, Stephan Huber, Alfonso Hüppi, Pierre Huyghe, Ray Johnson, Isaac Julien, Ellsworth Kelly, Per Kesselmar, Astrid Klein, Yves Klein, Harald Klingelhöller, Bernd Koberling, Christina Kubisch, Raimund Kummer, Mark Lammert, Henning Lohner, Inge Mahn, Piero Manzoni, Joseph Marioni, Agnes Martin, Sara Masüger, Reiner Maria Matysik, Bruce Nauman, Yoko Ono, Roman Opalka, David Ostrowski, Nam June Paik, Otto Piene, Thomas Rentmeister, Bridget Riley, Robert Ryman, Karin Sander, Hanns Schimansky, Michael Schirner, Gregor Schneider, Jan J. Schoonhoven, Nina Schuiki, George Segal, Qiu Shihua, Mark Tobey, James Turrell, Günther Uecker, Timm Ulrichs, Klaus vom Bruch, Lothar Wolleh, et al.
curated by Anke Hervol and Wulf Herzogenrath
Photo © Studio Karin Sander
Look! Revelations on Art and Fashion
Marta Herford, Herford
04.09.2021 – 06.03.2022
This exhibition creates a lively panorama of current phenomena in the fashion world. Pressing issues in the fashion industry, spotlights on international designers, as well as opportunities for personal participation open up a fascinating expedition to everyday social life, and allow fashion to be experienced as a dazzling narrative about our complex present.
Participating artist: Hrafnhildur Arnardóttir / Shoplifter, Gili Avissar, Sonja Bäumel, Anna-Sophie Berger, Wang Bing, Monica Bonvicini, Alice Channer, Talia Chetrit, Chicks on Speed / Alexandra N. Murray-Lesli, Louisa Clement, Christophe Coppens, Andy Dixon, Nezaket Ekici, Sylvie Fleury, Corina Gertz, Martine Gutierrez, Christian Haake, Bart Hess, Pieter Hugo, Zhanna Kadyrova, Mari Katayama, Aldo Lanzini, Dennis Loesch, Yuka Oyama, Christiane Peschek, Sruli Recht, Karin Sander, Hendrickje Schimmel / Tenant of Culture, Pascale Marthine Tayou, Britta Thie, Maria Visser, Erwin Wurm and Zeitguised.
curated by Friederike Fast and Wiebke Hahn, curatorial advice: Gabi Schillig and Dobrila Denegri
Photo: Hans Schröder
友達と– "tomodachito". With Friends.
Kunsthalle Düsseldorf, Düsseldorf
21.08. – 24.10.2021
In 2021, the Japanese-German friendship will celebrate its 160th anniversary. On this occasion, the Kunsthalle Düsseldorf has invited five of its Japanese-born friends, all graduates of the Kunstakademie Düsseldorf, to participate in an exhibition. Each artist in turn was asked to invite an artist friend for the group show.
With Takeoka Yūji, Nara Yoshitomo, Murase Kyōko, Andō Yukako, Kinoshita Ryō, Anca Muresan, Karin Sander, Arakawa Sōya, Magdalena Jetelová and Nakahara Masao.
curated by Alicia Holthausen and Gregor Jansen
© Kunsthalle Düsseldorf, Photo: Katja Illner
HUMMINGS: An Exhibition of Art in Public Domain in Køge
KØS Museum of Art in Public Spaces, Køge Torv, Denmark
15.08. – 26.09.2021
Do stones feel sorrow? Do they hum? They do in the upcoming exhibition Hummings that will take over the city of Køge and it’s surrounding landscape this August. Hummings is the pilot edition of a new large scale international exhibition of art in the public domain in Denmark.
17 art projects created by Jonathas de Andrade, Kerstin Bergendal, Rune Bosse, Ayşe Erkmen, Asunción Molinos Gordo, Lawrence Abu Hamdan, Lea Guldditte Hestelund, Jakob Jakobsen, Maider López, Jumana Manna, Olga Ravn, Karin Sander, Christoph Schäfer, SUPERFLEX, Hale Tenger and Héctor Zamora.
curated by Fulya Erdemci and Ulrikke Neergaard
Photo © Christian Calmar
SLOW MOTION/EMOTION
Guest at AUSUFERN im Heizhaus, Uferstudios Berlin
Group show with Stefan Alber, Antje Blumenstein, Cordula Ditz, Peter Dobroschke, Janine Eggert/Philipp Ricklefs, Heiner Franzen, Sibylle Jazra, Marte Kiessling, Alona Rodeh, Karin Sander and Wiebke Siem.
presented by Stefan Alber
FR 30.07.21 4 – 9 pm SOFT OPENING
SA 31.07.21 2 – 8 pm
SU 01.08.21 2 – 8 pm
(and by appointment +491774791240)
UFERSTUDIOS
Uferstraße 23
13357 Berlin
Photo © Studio Karin Sander
Inside Marquès House | Casa Museo Can Marquès, Palma de Mallorca
12.07.–31.07.2021 (Tuesday – Saturday 12 – 8 PM & by appointment)
Esther Schipper will present a special exhibition entitled En la casa de Marquès [Inside Marquès House], held at Casa Museo Can Marquès, the former residence of Martí Marquès Marquès, a 19th century bourgeois who settled in this house in 1901 after returning from Puerto Rico. Located on Carrer de Can Anglada, between the cathedral and the city hall, the house dates back to the 14th century.
With works by: Rosa Barba, Stefan Bertalan, Martin Boyce, Sarah Buckner, Angela Bulloch, Etienne Chambaud, Jean-Pascal Flavien, Ceal Floyer, Simon Fujiwara, Ryan Gander, Francesco Gennari, Liam Gillick, Dominique Gonzalez-Foerster, Rodney Graham, Ann Veronica Janssens, Gabriel Kuri, Isa Melsheimer, Florin Mitroi, Roman Ondak, Ugo Rondinone, Anri Sala, Karin Sander, Julia Scher, and Daniel Steegmann Mangrané.
Photo © Andrea Rossetti
On Celestial Bodies
Drawn from the Arter Collection, the group exhibition titled On Celestial Bodies deals with questions around the possibility of reconceiving and reconstructing a vital terrain for living together in our present day. Including works by twenty-eight artists, the exhibition invites visitors to contemplate together the ways that beings come together and disperse, the manners through which they build relations, and their ways of distancing and converging with each other.
curated by Kevser Güler
Artist Talk
Director Nicole Fritz in conversation with artist Karin Sander about her artistic practice and and the works presented in the current exhibition.
Please register via e-mail to fuehrungen@kunsthalle-tuebingen.de
Photo: BFG Media Group
Ways of Seeing Abstraction – Works from the Deutsche Bank Collection
PalaisPopulaire, Berlin
27.03.2021 – 07.02.2022
The collection shows different approaches that abstract art has been taken since the 1960s until today. Many international artists use reduced formal language to explore other forms and traditions transcending temporal, historical, and political boundaries, while questioning their own culture and perspective.
With Markus Amm, Rana Begum, Otto Boll, Kerstin Brätsch, Cabrita, Ernst Caramelle, Carlos Cruz-Diez, Adriana Czernin, Helmut Federle, Gunther Förg, Günter Fruhtrunk, Franziska Furter, Rupprecht Geiger, Katharina Grosse, João Maria Gusmão + Pedro Paiva, Erwin Heerich, Bernhard Härtter, Daniel Hunziker, Shoichi Ida, Olav Christopher Jenssen, Jennie C. Jones, Kapwani Kiwanga, Imi Knoebel, Norbert Kricke, Tadaaki Kuwayama, Thomas Locher, Fabian Marti, Bernd Minnich, Wilhelm Müller, Nima Nabavi, Albert Oehlen, Susanne Paesler, Blinky Palermo, Jorge Pardo, Georg Karl Pfahler, Charlotte Posenenske, Lothar Quinte, Gerhard Richter, Peter Roehr, Ulrich Rückriem, Fred Sandback, Karin Sander, Richard Serra, Dieuwke Spaans, Ulrich Wendland, Claudia Wieser, Beat Zoderer.
curated by Friedhelm Hütte and Christina März
Photo (with Fred Sandback, Untitled, 1979) © Studio Karin Sander
So wie wir sind 3.0
Weserburg. Museum für moderne Kunst, Bremen
With Nevin Aladağ, Carl Andre, The Atlas Group (Walid Raad), Katja Aufleger, Viktoria Binschtok, Amoako Boafo, Monica Bonvicini, Carol Bove, George Brecht, Kaucilya Brooke, Trisha Brown, Peggy Buth, Jonathan Callan, Mel Chin & GALA Committee, Claudia Christoffel, Marsha Cottrell, Thomas Demand, Braco Dimitrijević, Cordula Ditz, Felix Droese, Teboho Edkins, Lars Eidinger, Cerith Wyn Evans, Exactitudes, Robert Filliou, Claire Fontaine, FORT, Kasia Fudakowski, Simon Fujiwara, General Idea, Paul Graham, Jan Groover, Raymond Hains, David Hepp, Sven Johne, Isaac Julien, Birgit Jürgenssen, Šejla Kamerić, Ellsworth Kelly, Annette Kelm, Iris Kettner, Kapwani Kiwanga, Barbara Klemm, Alicja Kwade, Zoe Leonard, Simon Lewis, Christian Marclay, Kris Martin, John McCracken, Isa Melsheimer, Jonathan Monk, Suzanne Mooney, Horst Müller, Henrike Naumann, Cady Noland, Jana Sophia Nolle, Oswald Oberhuber, Ahmet Öğüt, Roman Ondak, Stefan Panhans, Joyce Pensato, Claudia Piepenbrock, Agnieszka Polska, Charlotte Posenenske, Bettina Pousttchi, Puppies Puppies, Rima Radhakrishnan, Sebastian Riemer, Pipilotti Rist, Julian Röder, Ed Ruscha, Reiner Ruthenbeck, Michael Sailstorfer, Takako Saito, Fred Sandback, Karin Sander, Michael Schmid, Oskar Schmidt, Andreas Schmitten, Gregor Schneider, Wilhelm Schürmann, Norbert Schwontkowski, Richard Serra, David Shrigley, Laurie Simmons, Taryn Simon, Lorna Simpson, Slavs & Tatars, Andreas Slominski, Kathrin Sonntag, Daniel Spoerri, Sebastian Stumpf, Walter Swennen, Wolfgang Tillmans, Tatjana Trouvé, Kaari Upson, Marianne Wex, Rachel Whiteread, Erwin Wurm, Nil Yalter.
curated by Ingo Clauß and Janneke de Vries
Photo (with Bettina Pousttchi, Vertical Highways, 2019) © Tobias Hübel
Edition Spielfeldmarkierung
During the solo exhibition at Kunsthalle Tübingen an edition of Karin Sander will be available
Spielfeldmarkierung, ausgeschnitten / Field Marking, Cut-out, 2018
Fußballrasenstück, rahmenloser Bildhalter / Piece of soccer field, clipframe
Edition of 30 individual pieces
each 21 x 29,7 x 3 cm
Photo © Studio Karin Sander
Karin Sander
Kunsthalle Tübingen
27.03. – 04.07.2021
Over the past four decades Karin Sander has developed an artistic position of her very own in the tradition of Post-minimalism. She smashed the rigid attitude of the Concept Art of the 1960s, expanding it by means of sensually processual-participatory approaches.
She responds to everyday, architectural, institutional or social givens with a seismographic intuition and uses subtle interventions to change them. For example, she burnishes images into the wall by turning the quadrature of the conventional placing on the wall into a mirror of the surroundings. Or else she breaches the symbolism of the depiction of an object in a museum, like in the series of “kitchen pieces”, for example, in which instead of the vanitas of a still life, the fruit actually present decays before our eyes.
Her works not only exhale the strictness of Minimalism in formal terms, they also unfold an unexpected poetry. Linking into the premise of Minimal Art, a major role is ascribed to the viewer’s perception. By making us not only think her works through to the end, but also respond to these with all our senses, Karin Sander’s works ultimately realise the utopia of Minimal Art so as to objectivise our perception and lead it to a schematic clarity and logic.
curated by Nicole Fritz
New Acquisitions
n.b.k., Neuer Berliner Kunstverein, Berlin
Newly acquired video works for the collection of the n.b.k. Video-Forum.
Online screening with works by Andre Aalrust, Dario Azzellini / Oliver Ressler, Anca Benera / Arnold Estefan, Candice Breitz, Arnold Dreyblatt, Kerstin Honeit, Natascha Sadr Haghighian, Judith Hopf und Florian Zeyfang, Wolf Kahlen, Karin Sander.
Photo: Sigrid, 2018 (video still) © Studio Karin Sander
Material Transformation
A new 3D Google Earth sculpture by Karin Sander commissioned by Edtions VFO will be on view together with Luigi Archetti, Michael Günzburger, Marius Lüscher, Karin Sander, Christine Streuli and Selina Trapp.
curated by David Khalat
Photo: Matterhorn, 3D-print of Google-Earth-Data, 2020 © Studio Karin Sander
THE ART OF DIMINISHED DIFFERENCE
The Brno House of Arts, Brno, Poland
The aim is to present trends in visual art whose common denominator is work with minimal or diminished differentia or nuance constituting an opposite to prominent contrast – including ephemeral objects provoking the perception experience through dissolving solid forms, material instability, semantic vagueness, permeability of contexts, etc. The event is also a reminder of the clandestine action/exhibition of the artists Stano Filko, Miloš Laky and Ján Zavarský entitled White Space in a White Space, which took place in the House of Arts more than forty years ago (1974). With works by Josef Dabernig, Ann Veronica Janssens, Žilvinas Kempinas, Karin Sander, Bill Viola, Martin Vongrej, Heimo Zobernig.
curated by Petr Ingerle
Photo © Stefan Alber
One Moment Please
Group show with Nina Cristante, Kaspar Müller, David Ostrowski and Karin Sander.
curated by Matt Voor
Meeting in Language
Städtische Galerie Delmenhorst, Delmenhorst, Germany
Group show with Sonja Alhäuser, Tauba Auerbach, John Baldessari, Alighiero Boetti, Willem Boshoff, Franz Burkhardt, Rainer Ganahl, Gelitin, Rolf Giegold, Katie Holten, Fumiko Kikuchi, Rivane Neuenschwander & Sérgio Neuenschwander, Via Lewandowsky, Katrin von Maltzahn, Tine Melzer, Wolfgang Müller, Esra Oezen, Paulina Ołowska, Nico Pachali, Dan Perjovschi, Rima Radhakrishnan, Karin Sander, Ul Seo, Slavs and Tatars, Tommy Støckel, Timm Ulrichs, Zhé Wang, Peter Zizka, David Zürcher.
curated by Annett Reckert
SOLID FICTION
Kunstverein Emsdetten, Germany
11.10. – 29.11.2020
Group show with works by Davis Birks, Tim Freiwald, Caro Jost, Imi Knoebel, Marton Nemes, Anselm Reyle, Cordy Ryman and Karin Sander.
BOOK LAUNCH
The new catalogue by Karin Sander, like many of her monographs, presents itself with its own concept, its own logic, its own order on 224 pages, in three languages. The sequence of the illustrations is based on the size of the works, from the smallest to the largest work, and in the same way the illustrations are shown in relation to the work from small to large, pushing the respective text to the work to the edge of the page in ever smaller font sizes. Andreas Uebele was responsible for concept, design and typesetting.
The catalogue was published on the occasion of the exhibition Skulptur / Sculpture / Scultura at Museion Bozen in collaboration with buero uebele.
With text contributions by Letizia Ragaglia, Marion Ackermann, Marius Babias, Konrad Bitterli, Marc Glöde, Alistair Rider, John Waters, Harald Welzer et al.
Published by Verlag der Buchhandlung Walther König, Cologne 2020
Karin Sander at adhoc
adhoc, Bochum, Germany
02.10. –18.10.2020
Open by appointment: info@adhocraum.com
Photo © Christian Gode
during the exhibition
haubrok foundation, Berlin
11.09. – 08.11.2020
For berlin art week, the haubrok foundation officially opens its new rooms at strausberger platz 19 — 2 floors above the space in which we have already held more than 25 exhibitions between 2007 and 2013. the new rooms, a former apartment more or less in its original historical condition, are primarily intended for the presentation of small-format, ephemeral, and conceptual works.
With Michael Asher, Robert Barry, Stanley Brouwn, Martin Creed, Florence Jung, Michael Krebber, David Lamelas, Les Levine, Lucy Lippard, Park mMcarthur, Jonathan Monk, Klaus Rinke, Karin Sander, Barbara Schmidt Heins, Ricardo Valentim, Hans Weigand, Franz West, Christopher Williams, Ian Wilson
curated by Axel and Konstantin Haubrok
Photo: haubrok foundation
Freitod
On a warm autumn day in 2009, an artist, a gallery owner and two collectors visited the premises in Bülowstrasse 90 for the first time. Impressed by the spacious floor of the old building and the possibilities, these four made a completely unexpected promise – KUNSTSAELE Berlin was born. The exhibition Freitod will now mark the end of the more than 10-year history. With works by Art & Language, Friederike Feldmann, Ian Hamilton Finlay, Gerhard Hoehme, Yuni Kim, Manuel Kirsch, Dieter Krieg, Friedrich Kunath, Jonathan Lasker, Henri Michaux, Michael Müller, James Rosenquist, Karin Sander, Thomas Scheibitz, Elaine Sturtevant, Felix Gonzalez-Torres and many more.
Karin Sander "Mailed Painting 162", (2015)
Bonn - Roma - Zürich - Berlin - Köln - Berlin - Winterthur – Berlin
Angela de la Cruz "Burst (Yellow)" (2013)
(Courtesy Galerie Thomas Schulte)
Thomas Scheibitz "Galgen" (2010), "Uhr" (2020)
(© Thomas Scheibitz Courtesy: Sprüth Magers)
From Translating to Transcoding
Société, Brussels, Belgium
06.09. – 01.11.2020 (and during Brussels Gallery Weekend 03. – 06.09.2020)
Group show together with Carl Andre, Detanico&Lain, Bruce Nauman, Karin Sander, Thomas Ruff et al.
Sleep is overrated
Kurt Kurt, Berlin Germany
28.08. – 13.09.2020
Group show with artists based in Berlin-Moabit: Heather Allen, Heike Baranowsky, Emmanuelle Castellan, Katharina Grosse, Ilona Kalnoky, Mark Le Ruez, Via Lewandowsky, Sophia Pompéry, Karin Sander, Salah Saouli, Karen Scheper, Veronika Witte, Jan Peter Zaugg, Georg Zey
curated by Simone Zaugg and Pfelder
ÜberNatur/Natural Takeover
August 2020 – June 2023
The Skulpturenpark Köln (Cologne Sculpture Park) is a unique exhibition venue featuring loaned works from past KölnSkulptur exhibitions. Every two years, a curator is invited to add new artworks to this constellation of outdoor sculpture. All of the works shown at KölnSkulptur, most of them being commissioned especially for the exhibition.
The Skulpturenpark Köln is thus a unique hybrid of permanent display and temporary group exhibition.
ÜberNatur – Natural Takeover marks the 10th iteration of the biannual KölnSkulptur exhibition of contemporary outdoor sculpture. Eight new works have been added to the Skulpturenpark Köln this year. Inspired by the location of the public park – wedged between the Rhine, the Cologne Zoo, the Flora and the adjacent Botanical Garden – as curator of this year’s KölnSkulptur, artworks have been commissioned or selected that engage with notions of nature and initiate dialogue with the natural environment.
curated by Tobias Berger
Love me tender...
ROHKUNSTBAU XXV
Schloss Lieberose, Spreewald, Germany
28.06. – 20.09.2020
Zärtlichkeit – Vom Zusammenleben / Ternderness – About Common Living
curated by Heike Fühlbrügge
Photo © Studio Karin Sander
Kunstgedanken - der Kunsthallen-Podcast
Kunstgedanken mit Karin Sander
In the podcast of the Staatliche Kunsthalle Karlsruhe, people from art, culture and society have their say in order to share their ideas and visions of museums and art.
PS81E
Group show in the gallery space at Potsdamer Straße 81E in Berlin.
With works by Stefan Bertalan, Martin Boyce, Matti Braun, AA Bronson and Reima Hirvonen, Angela Bulloch, Nathan Carter, Etienne Chambaud, Jean-Pascal Flavien, Ceal Floyer, Simon Fujiwara, Ryan Gander, General Idea, Francesco Gennari, Liam Gillick, Andrew Grassie, Ann Veronica Janssens, Gabriel Kuri, Jac Leirner, Ari Benjamin Meyers, Roman Ondak, Philippe Parreno, Ugo Rondinone, Christopher Roth, Anri Sala, Karin Sander, Julia Scher, Daniel Steegmann Mangrané, Tao Hui.
Photo © Andrea Rossetti
Skulptur / Sculpture / Scultura
Museion, Bolzano, Italy
29.05. – 20.09.2020
Sander’s solo exhibition at Museion is designed specifically for the space allotted in the museum and will feature both existing art and works created exclusively for the exhibition, curated by Letizia Ragaglia.
Please find the 3D exhibition here
The exhibition can be seen in a different virtual form with or without 3D VR glasses for smartphones. The walls with the photographs will be changed weekly. Private pictures of real and virtual visitors, which were taken during the Corona Lockdown, can be sent to the museum digitally as a photo exchange: visitorservices@museion.it. These photographs will be integrated in the virtual exhibition and can only be seen there, the real exhibition on site is a different one.
Finissage: September 18, 2020, 19 h - Due to Corona: by invitation only!
An artist talk with Karin Sander will mark the launch of a new publication featuring a comprehensive overview of the artist’s sculptural oeuvre, published on the occasion of the exhibition.
Ei / Egg
Naussauischer Kunstverein, Wiesbaden, Germany
"Everything is eggs. The world is an egg. The world is born from the big egg yolk, the sun.”
With these words, the Belgian artist Marcel Broodthaers describes the universal power of the small and highly complex structure of nature. The egg is the symbol of the perfect unity of minimalism, form and infinite creativity.
Group show with Julius von Bismarck, Björn Braun, Marcel Broodthaers, Natalie Djurberg & Hans Berg, Josefine Reisch, Karin Sander, He Xiangyu e.a.
Video tour: kunstverein-wiesbaden.de
Photo © Janine Drewes, NKV
THE ARTIST-COLLECTOR’S DREAM (A NICE THING) 'CREATED BY NEDKO SOLAKOV'
Galleria Continua, San Gimigano, Italy
Reflecting Nedko Solakov’s collecting practice, this exhibition welcomes various artists to exhibit works in The Artist-Collector’s Dream (a nice thing), created by Nedko Solakov.
Photo © Ela Bialkowska, OKNO Studio
Open Codes. We are data
The exhibition is a reflection on the world we live in today: a world that is created and ruled by codes. Digital codes determine how we perceive our surroundings, they influence our financial systems, our legislations and our business models; in essence, they shape and create new horizons for social, economic, or cultural activity.
Open Codes. We are data is conceived as an experimental space for creative encounters, where knowledge production on understanding computer codes and artistic approaches take place at a single venue. It is an attempt to engage with today’s realities and point out perspectives and lines of development for the future in order to better understand the world we live in: a world that has become a field of data.
Photo © Akzuna Zentroa
Karin Sander
Galerie Hussenot, Paris, France
Photo © Studio Karin Sander / Berlin Glas e.V.
Hidden Beauty
Exhibition with Nevin Aladag, Monica Bonvicini, Olafur Eliasson, Ann Veronica Janssens, Michail Pirgelis, Laure Prouvost, Thomas Rentmeister, Karin Sander and Haegue Yang
Photo © Andrea Rossetti
art berlin | Fair for Modern and Contemporary Art
BOOTH 1.F1
Photo © Studio Karin Sander
Words Are Very Unnecessary
Arter Collection, Istanbul, Turkey
Arter, the subsidiary of Vehbi Koç Foundation has moved to its new home in Istanbul’s Dolapdere district in 2019, the year also marking the 50th anniversary of the foundation. Group and solo show from Arter Collection artists.
Photo © Studio Karin Sander
GLOBART Academy 2019
Essl Museum, Klosterneuburg, Austria
GLOBART transforms the museum into an artistic-philosophical living space and a social laboratory for common thinking, lingering and experimenting.
Photo © Studio Karin Sander
Terrestial Tales
100+ Takes on Earth
ETH Zurich, Switzerland
A research based exhibition gathering and addressing subjects of climate change, architecture, raising global urbanization and the arts reflecting on processes of planetary transformation. Concept by Prof. Marc Angélil
Farewell lecture by Prof. Marc Angélil 17.15 h, Auditorium Maximum
Exhibition opening 18 h, Rämistr. 101, Zurich
Photo © Studio Karin Sander
Stillleben
Galerie Ute Parduhn, Dusseldorf
Group show with Ayşe Erkmen, Manfred Holtfrerich, Thomas Ruff, Karin Sander, Thomas Schütte, Wiebke Siem and Andreas Slominski as part of the Düsseldorf Cologne Open Galleries (DC Open), a traditional season kick-off into Rhineland´s Kunstherbst.
Photo © Studio Karin Sander
Late Summer Show
i8 gallery, Reykjavík, Iceland
22.08. – 12.10. 2019
Group show with Margrét H. Blöndal, Ásgerður Búadóttir, Eyborg Guðmundsdóttir, Krístín Jónsdóttir Frá Munkaþvera, Arna Óttarsdóttir,Ragna Róbertsdóttir, Karin Sander, Júlíana Sveinsdóttir.
Photo © Andrea Rossetti
In Zukunft. Möglichkeitsräume
Fabrik der Künste, Hamburg, Germany
20.08. - 08.09.19
The FUTURZWEI project has held discussions with different groups of young people about their dreams and visions of the future and transposed them into artistic concepts. Group show with Friedrich von Borries and Jakob Schrenk, Sabina Brassicae, Jan Körbes, Lucas Kuster, Christoph Mayer CHM, Peter Piller, Karin Sander, Regina Schmeken, Pablo Wendel, realities:united and 431art.
>>Open Codes?<<
This curatorial re-presentation draws on two defining moments of contemporary artistic practice, namely the installation and the interactive – and asserts a synchronic logic against the prevailing, diachronic imaginary of the digital. The “Open Codes” trailer asks how these articulative idioms are themselves shaped by the very technological developments – most notably, computer-assisted graphic design and artificial intelligence – under investigation in the ZKM exhibition.
Opening times: Friday, June 14th (exceptionally) as well as June 17th – July 2nd, Mondays through Thursdays, from 11:00-18.00
Photo © Clemens Krümmel
Finissage
Patina Paintings, 2014 – 2019
Atelier Amden, Switzerland
Karin Sander's utility paintings, which have been exhibited in Amden since 2014 and have assumed the patina of the exhibition venue, will be on display for the last time. Starting in autumn, the paintings can be seen again in an exhibition at ETH Zurich.
Photo © Studio Karin Sander
Myths – Bauhauses – Dogmas
Symposium at Akademie der Künste, Berlin
Members, artists, architects and scholars look behind the myths and dogmas that surround “A Century of the Bauhaus”. Insights into the international reception of the Bauhaus from the post-war period until today, critiques and new artistic approaches, culminating in “BauhAusblicke” (Bauhaus Outlooks) are provided by Arno Brandlhuber, Winfried Brenne, Jean-Louis Cohen, Matthias Flügge, Thomas Flierl, Konstantin Grcic, Birgit Hein, Ulrike Lorenz, Olaf Nicolai, Matthias Sauerbruch, Karin Sander, Philip Ursprung, Hubertus von Amelunxen, Wilfried Wang, et al.
Photo © Akademie der Künste
Occupational Hazards
apex art, New York City
Group show curated by Alexandra Stock
This exhibition is dedicated to the countless artworks that have been lost, damaged or destroyed by customs agents who control the flow of goods between nations in the Middle East.
Photo © Stefan Alber
Frozen Gestures
Kunst Museum Winterthur, Switzerland
Group show with Franz Ackermann, Pia Fries, Katharina Grosse, Roy Liechtenstein, Judy Millar, Gerhard Richter, David Reed and Karin Sander.
Photo © Martin Lauffer
DAGUERRE’S SOUP
Kunstforum Wien - tresor
Group exhibition curated by Christian Kosmas Mayer x FOTOGRAFIS with works by Heinrich Dunst, Manuel Gorkiewicz, Karin Sander and Sophie Thun.
Photo © Hannes Boeck
WO KOMMEN WIR HIN
Artistic research laboratory at Akademie der Künste
Kathrin Röggla, Karin Sander and Manos Tsangaris
March 21 – June 2, 2019
Karin Sander
Telling Art and Futures – Die Dialektik des Utopischen
April 28 - June 2, 2019
Akademie der Künste
www.tellingworkofart.de
Photo © Dana Giesecke
Book Launch Karin Sander. A – Z
Karin Sander @ agps architecture
Photo: © agps architecture
Deutschlandfunk Kultur – Im Gespräch
Photo © Michael Danner
Karin Sander. A – Z
Haus am Waldsee, Berlin, Germany
Artist Dinner with Karin Sander
21.02. 2019, 19.30 h
45 Euro, excl. drinks
registration: kuenstleressen@hausamwaldsee.de
(deadline 15.02.2019)
Artist Talk
25.02.2019, 19.30 h
Karin Sander in conversation with Prof. Dr. Philipp Ursprung, art historian and professor at ETH Zurich
Photo: © Andrea Rossetti
30 Years 3 Exhibitions – Part 2
Barbara Gross Galerie, Munich, Germany
curated by Ayse Erkmen Karin Sander
Book Launch: Karin Sander. A – Z
On the occasion of the solo exhibition at Haus am Waldsee in Berlin Karin Sander is presenting a new catalogue Karin Sander. A – Z at the gallery Esther Schipper.
Photo: Wasser zählen / Counting Water, 1962/2000 © Edith Sander
ZDF Aspekte
Photo: Patina Painting, Haus am Waldsee, 2019
© Studio Karin Sander
Karin Sander. A - Z
Haus am Waldsee, Berlin, Germany
Photo: Patina Painting, Haus am Waldsee, 2019 © Studio Karin Sander
Art Basel Miami Beach, Miami, USA
Esther Schipper, Berlin, Germany
Booth H15
Photo: Karin Sander, Office Works, Installation View © Andrea Rossetti
FINISSAGE - Karin Sander
Kunst Museum Winterthur / Beim Stadthaus + Reinhart am Stadtgarten, Winterthur, Switzerland
Zoë Beck reads from the crime story "Fake it – or it didn’t happen" (in German)
Photo: Floor, 1991/2018 © Andrea Rossetti
FLORIAN SLOTAWA: STUTTGART SICHTEN
SCULPTURES FROM THE STAATSGALERIE STUTTGART
Deichtorhallen Hamburg
Halle für aktuelle Kunst
Underlying the exhibition project Stuttgart Sichten (Viewing Stuttgart) are the highly topical questions of how museums deal with their collections today, how they can innovatively present them, and how to successfully balance traditional methods of art education with contemporary formats of presenting art to spark curiosity.
Photo: Chicken Egg, Polished, Raw, Size 0, 1994 © Studio Karin Sander
Sixth Sense
Alice Aycock, Monica Bonvicini, Dadamaino, Lesley Foxcroft, Caro Jost, Julia Mangold, Karin Sander
Karin Sander "1176 holes for 1 image"
Lab`Bel - La vache qui rit
FIAC Paris, France
The fifth Collector’s Edition Box features the art of Karin Sander
Metaphoria III
CENTQUATRE 104 Paris
Group show: Nina Beier, Adriano Costa, Rui Costa, Hans-Peter Feldmann, Kenneth Goldsmith, Ana Jotta, jeremy Millar, Pepo Salazar, Karin Sander
Photo: Karin Sander, Kitchen Pieces, 2012 © Martin Agryroglo
art berlin fair - Esther Schipper
Karin Sander - solo presentation
Booth 1.C.4
Photo © Andrea Rossetti
Abenteuer Freundschaft
KUNSTSAELE Berlin, Germany
Geraldine Michalke, Michael Müller, Karin Sander, René Schmitt
Photo: Karin Sander, Pulled Glass, 2018 © Alexander Hahn
Carte Blanche
Kunstverein Schwäbisch-Hall, Germany
Photo: Mailed Painting 199, Bonn - Berlin - Schwäbisch Hall, 2018 © Studio Karin Sander
In the highly charged area between reality and fiction, Karin Sander has commissioned two acclaimed crime-fiction authors to write a story each especially for her solo exhibition at Kunst Museum Winterthur. Unlike the usual catalogue texts that accompany art exhibitions, the text itself is turned into an artwork. The two crime stories by renowned and award-winning authors, Zoë Beck and Oliver Bottini, carry the reader off to a completely fictional world that collides with the reality of the art created by the artist.
Shop: www.buchhandlung-walther-koenig.de
Photo: Karin Sander: Crime Stories by Zoë Beck and Oliver Bottini, written especially on the occasion of the solo exhibition Karin Sander at Kunst Museum Winterthur, Switzerland, 2018. Design in collaboration with büro uebele visuelle kommunikation.
Photo © Studio Karin Sander
Karin Sander
Kunst Museum Winterthur / Beim Stadthaus + Reinhart am Stadtgarten, Winterthur, Switzerland
Introduction by director Konrad Bitterli
Oliver Bottini reads from his crime story "Wintertod" (in German)
08.09. – 18.11.2018
The solo exhibition at the Kunst Museum Winterthur mediates a comprehensive insight into Sander’s sensual investigations of art.
curated by Konrad Bitterli and Simona Ciuccio
Photo: Karin Sander, Walls, restacked, 2018. Kunst Museum Winterthur © Studio Karin Sander
paperwork: karin sander
haubrok foundation, FAHRBEREITSCHAFT, Berlin, Germany
Photo: KS 90 9, 1990 © Recom Art
Unleashed Nature. The Image of Catastrophe since 1600
Hamburger Kunsthalle, Galerie der Gegenwart, Hamburg, Germany
Photo: Fortress of Fire, Eldborg: Hnappadalssyslu, 2000 © Studio Karin Sander
CGAC Collection 25
Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain
cgac.xunta.gal
Photo: Museum Visitors 1:9, 2003. Collection of CGAC, Santiago de Compostela, ES © Centro Galego de Arte Contemporánea
The Future is Female
Parts Project, Den Haag, NL
www.partsproject.nl
The Future is Female is an exhibition concept in which the work of 13 female artists is shown together with a text written especially by the artist Twan Janssen. This exhibition bundles female force and strength and encourages an open dialogue about art.
curated by Francis Boeske
Photo: Mailed Painting 122, 2012 © Studio Karin Sander
Berlin Britzenale 2
Kleingartenkolonie Morgentau, Berlin-Britz, Germany
www.berlin-britzenale.de
17 artists locate their work in the semi-public situation of the garden colony 'Morgentau' in Neukölln's district of Britz. Not only the spatial subdivisions
and demarcations, but especially the social aspects appear to make this club model exciting for artists.
The popular 'Laubenpieper' architectures will be scrutinized by the artists for the second Berlin Britzenale. The nearly Babylonian creativity
of the tenants brings out beautiful, astonishing but also absurd things. The Britzenale deals with the creative process that stands behind the
nature of such structures and constructions, and will artistically comment on creative tendencies of demarcation as identity enhancers in
the context of allotments.
curated by Christoph Zwiener
Photo: Karin Sander, Patina Painting 189 a, 2018 © Christoph Zwiener
Opening: 17. Mai 2018
Just So Stories 1978 | 2018
Galerie nächst St. Stephan, Vienna
www.schwarzwaelder.at
Photo: Wandstück 29,5 x 21,5 cm, 1996/2014 © Studio Karin Sander
From the Green Market to the Gallery Wall - Text by Gregory Folk
Photo: Karin Sander, Savoy Cabbage, 2012/2018 © Studio Karin Sander
TRACE VALUE - Benjamin Paul on the art of Karin Sander
Photo: © Karin Sander, Untitled, 1993
Karin Sander im Gespräch
SWR2 Zeitgenossen
in der Staatlichen Kunsthalle Baden-Baden
Die Künstlerin Karin Sander entwickelt spezifisch ortsbezogene Arbeiten, die immer auf neue Weise den Blick schärfen, für die komplexe Beziehung zwischen dem Kunstwerk und seinem "Träger", sei dies die Wand, der Raum oder die gesamte Institution. Im Gespräch mit Dietrich Brants erzählt Karin Sander von ihren Begegnungen in der Kunstwelt und vom künstlerischen Medium "Ausstellung".
Photo: © Jens Ziehe
Kitchen Pieces Postcard Edition
Kitchen Pieces, 2012: Set of 25 postcards and booklet with text by Eva Menasse; in black slipcase 5 7/8 x 4 1/8 x ½ inches (15 x 10.5 x 1 cm) Signed and numbered Edition of 500 Published by Carolina Nitsch
Photo © Stefan Alber
Kitchen Pieces
Carolina Nitsch Gallery, New York, USA
Photo: Apple, 2012 © Studio Karin Sander
Exhibiting the Exhibition
Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany
Photo: Identities on Display, 2013, installation view Museum Frieder Burda, 2018 © Studio Karin Sander
Tagung: Museum 3-D Digital
10h Vortrag Karin Sander
16h Podiumsdiskussion »3D-Digitalisierung von Kulturgut - Eine Chance für Forschung, Kunst und Industrie«, mit Peter Plaßmeyer, Karin Sander, Ingolf Seifert, Karin Kessen, Pedro Santos, Moderation: Martin Zavesky
Lipsiusbau, Dresden, Germany
www.skd.museum
Agenda
Photo: 3D-Scan eines Burgers, 2017 © Studio Karin Sander
Travelers: Stepping into the Unknown. NMAO's 40th Anniversary Exhibition.
The National Museum of Art, Osaka, Japan
Photo: Zeigen. Audio Tour through the Collection of The National Museum of Art, Osaka, 2018 © Karin Sander, 2018
Out of Office. Büro-Kunst oder das Büro im Museum
Städtische Galerie Bietigheim-Bissingen, Germany
galerie.bietigheim-bissingen.de
Photo: Office Works, 1996 © Hubert P. Klotzeck, 2017
ALICE ATTIE, KARIN SANDER, JONGSUK YOON
Galerie nächst St. Stephan, Wien, Austria
Photo: Glass Piece 55, 2017 (left), Glass Piece 17, 2015 (right) © Galerie nächst St. Stephan, 2018
Myth, Music & Electricity – A concert with visual artists
invited by Augustin Maurs
Herkulessaal der Residenz, Munich, Germany
facebook event
http://reflektor-m.de/termin/myth-music-and-electricity
Photo: Blitz Concert, 2008/2017 © Katharina Wendler, 2017
All the Words for Rock. Nature and Conflict.
curated by Julián Rodríguez
Fundación Helga de Alvear, Cáceres, ES
fundacionhelgadealvear.es
Photo: Kitchen Pieces, 2012, installation view © Joaquín Cortés
Talk
Andreas Ruby im Gespräch mit Sarah Graham + Marc Angélil, Jenny Rodenhouse, Karin Sander und Arno Brandhuber über die Ausstellung „agps architecture – 99¢ Space“.
Architektur Galerie Berlin
www.architekturgalerieberlin.de
Artist Talk
Franciska Zólyom & Karin Sander
Karin Sander: Zeigen. Eine Audiotour durch die Sammlung der GfZK
Galerie für Zeitgenössische Kunst (GfZK), Leipzig, D
www.gfzk.de
Photo: © Galerie für Zeitgenössische Kunst, Leipzig
OPEN CODES. Living in Digital Worlds.
curated by Peter Weibel, co-curated by Lívia Nolasco-Rózsás, Yasemin Keskintepe and Blanca Giménez
ZKM, Karlsruhe, Germany
Photo: XML-SVG Code / Quellcode des Ausstellungsraums, 2010/2017 © Steffen Harms
Transzendenzaufzug
Kunst am Bau
Kunstuniversität, Linz, 2016
Photo © Manfred Seidl, 2017
Artist Talk
Dr. Christoph Schreier & Karin Sander
Mentales Gelb. Sonnenhöchststand.
Die Sammlung KiCo im Kunstmuseum Bonn und im Lenbachhaus München
05.05. – 20.08.2017
Kunstmuseum Bonn, Bonn, D
www.kunstmuseum-bonn.de
Photo © Karin Sander
Flair
curated by Gregory Volk
Fridman Gallery, New York, USA,
www.fridmangallery.com
Photo: Glass Piece 54, 2017 © Studio Karin Sander
Cappadox 2017 – Ways Out From The World
curated by Fulya Erdemci, assistant curators: Kevser Güler, Ilgın Deniz Akseloğlu
Cappadocia, TUR
www.cappadox.com
Photo: Hitting the Highest Notes on the Highest Peaks, 2017, visualization © Studio Karin Sander
Mentales Gelb. Sonnenhöchststand.
05.05. – 20.08.2017
Kunstmuseum Bonn, Bonn, Germany
www.kunstmuseum-bonn.de
06.05. – 08.10.2017
Städtische Galerie im Lenbachhaus, Munich, Germany
www.lenbachhaus.de
Photo: installation view © Martin Lauffer
some thing
curated by Albert Weis
Kosmetiksalon Babette, Berlin, D
www.barbabette.com
Photo: Mailed Painting 162, 2015, installation view
© Albert Weis
COPY / PASTE
curated by Shahram Entekhabi
28.4.2017 – 05.05.2016
Azad Art Gallery, Tehran, IRN
azadart.gallery
23.06.2017 – 14.07.2017
CC. art space, Isfahan, IRN
www.ka-af.org
Photo: Chicken Egg, Polished, Raw, Size 0, 1994
© Martin Lauffer
Out of Office. Büro-Kunst oder das Büro im Museum.
Museum für Konkrete Kunst, Ingolstadt, Germany
curated by Dr. Simone Schimpf
Photo: KS 96 94, 1996 © Studio Karin Sander
Mexibility. Wir sind in der Stadt, wir können sie nicht verlassen*
curated by Friedrich von Borries, Moritz Ahlert & Victor Palacios
Casa del Lago, Mexico City, Mexíco
www.casadellago.unam.mx
Photo: Mailed Paintings © Studio Karin Sander
Karin Sander. Haarzeichnungen, Büroarbeiten und Gesprächszeichnungen
Villa Zanders, Bergisch-Gladbach, Germany
Photo: Exhibition Space 1.7, 1:2, 2017 © Martin Lauffer
Karin Sander: Zeigen. Eine Audiotour durch die Sammlung der GfZK
Galerie für Zeitgenössische Kunst [GfZK], Leipzig, Germany
Photo: © Galerie für Zeitgenössische Kunst, Leipzig
Serialities
organized with Olivier Renaud-Clement
Hauser & Wirth, New York, USA
Photo: © René Schmitt
Blurry but Clear
prepared by Ayşe Orhun Gültekin & Derya Yıldız
Ariel Sanat, Istanbul, Turkey
Photo: Karin Sander, 2002/2016 © Studio Karin Sander
Mixed Media. Dieter Roth & Karin Sander.
curated by Katharina Wendler
Safn, Berlin, Germany
Photo: installation view © Henrik Strömberg
TEXT. Selected Text-based Works from the Collection of Pétur Arason and Ragna Róbertsdóttir.
curated by Birta Gudjonsdottir
National Gallery of Iceland, Reykjavik, ISL
www.listasafn.is
Photo: 4 Audio Pieces, 2009, in collaboration with Andreas Uebele, installation view © Sigurdur Gunnarsson
www.uebele.com
Bild, Schrift, Zeichen
Villa Merkel, Esslingen, D
www.esslinger-kunstverein.de
www.uebele.com
with Andreas Uebele
curated by Christian Goegger
Photo © Andreas Uebele
Karin Sander presents: Dieter Roth, Kinderbuch, 1957
EX LIBRIS, Salonverlag, Cologne, D
Artists' Film International on Technology
curated by Çelenk Bafra, assistant curator: Yasemin Ülgen Saray
Istanbul Modern, Istanbul, Turkey
Photo: © Studio Karin Sander
Artists' Film International. Karin Sander, Igor Jesus and Igor Bošnjak.
Whitechapel Gallery, London, UK
Photo: © Mona Hatoum
Karin Sander: Announcement
Johnen Galerie, Berlin, Germany
Esther Schipper, Berlin, Germany
Photo: © Studio Karin Sander
One woman show by Karin sander
Inauguration of the new kmd exhibition building, designed by Jonathan Banz
Kunsthalle Marcel Duchamp, Cully, Switzerland
From 14 May to 26 June 2016, the KMD is presenting a work by Karin Sander. For this exhibition, she proposes two 3D self-portraits - one from today and one from seven years ago - which, when placed in the new spaces of the KMD, underline the inner volumes by creating a shift in scale.
Photo: © KMD
Ayse Erkmen, Tamara Grcic, Janice Kerbel, Karin Sander
Barbara Gross, Munich, Germany
Photo: © Barbara Gross Galerie
BRD
FAHRBEREITSCHAFT, Berlin, Germany
With Arno Brandlhuber, Christoph Büchel, Hans-Peter Feldmann, Georg Herold, Christopher Muller, Manfred Pernice, Peter Piller, Tobias Rehberger, Gerhard Richter, Karin Sander, Gregor Schneider, Andreas Slominski, Florian Slotawa, Klaus Staeck, Wolfgang Tillmans, Cosima von Bonin, Christopher Williams, Johannes Wohnseifer, Erwin Wurm, Heimo Zobernig, Christof Zwiener
curated by Axel Haubrok
Photo: © Ludger Paffrath
Karin Sander
Galería Helga de Alvear, Madrid, Spain
Photo: © Studio Karin Sander
Home Improvements: Curated by John Waters
FraenkelLAB / Jeffrey Fraenkel Gallery, San Francisco, USA
Photo: © Studio Karin Sander
Der Schatten des Körpers des Kutschers
With Monika Baer, David Michael DiGregorio, Michael Dreyer, Stefan Ettlinger, Katja Eydel, Moritz Fehr, Franz John, Svenja Kreh, Dominique Le Parc, Zilla Leutenegger, Alvin Lucier, Gregory Maass & Nayoungim, Achim Mohné, Karin Sander, Sigune Siévi, Rolf Walz, Xiaopeng Zhou
curated by Clemens Krümmel
KOELNSKULPTUR #8
Skulpturenpark Köln, Cologne, Germany
curated by Thomas D. Trummer
Photo: © Stiftung Skulpturenpark Köln
I GOT TO HAVE ONE OF THOSE
Contemporary art collections of the Lenbachhaus and KiCo foundation
Lenbachhaus, München
curated by Eva Huttenlauch
Photo © Städtische Galerie im Lenbachhaus, Munich
Paper Work. Ceal Floyer & Karin Sander
Esther Schipper, Berlin, Germany
Photo: © Andrea Rossetti
Karin Sander. Gebrauchsbilder / Patina Paintings
Atelier Amden, Amden, Switzerland
Photo: © Studio Karin Sander